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Check out the latest news from our Alumni.
Ana Mendieta Exhibition Travels to Berlin in Spring of 2018
Ana Mendieta (1948-1985) represents one of the most outstanding artistic positions of the 1970s and 1980s. From 20 April to 22 July 2018, the Martin-Gropius-Bau will present her multi-layered film work, which has been recently restored and digitised, the result of several years of research work. Ana Mendieta’s work moves freely between disciplines such as body art, land art and performance art, without adhering to any particular medium or movement. The common element is the recurrent use of the abstracted shape of the female form in dialogue with the surrounding environment of nature—not least in order to question the separation between nature and the human body. Her artistic work transcends many boundaries, including those of artistic disciplines, geographic and political spaces, and research into history, gender and culture.
Can "The Invisible" Be Pictured?
One snowy afternoon in December, several women gathered in artist Mary Simon-Casati’s southwest Minneapolis home for a little lunch and a lightweight chat about astrophysics and art. The firelit living room crackled with energy; conversation sparked and flared, bouncing from philosopher to art historian to physicist and back, traversing the cosmic terrain of dark matter, energy, quarks and their quasi-poetic names. “The thing about particles,” the artist said offhandedly, “is that none of us can see them, ever. We don’t know what they look like. Science can figure out what sort of spin they have and what it interacts with. But otherwise, we’re dealing with the unknown.” Her latest paintings and sculpture explore, in visual terms, phenomena that are largely intangible, ineffable and unseen. The result of three years of research and an intensive yearlong exchange of ideas with University of Minnesota astrophysicist Liliya Williams, her solo show “Smashing the Invisible” is on view at the university’s Regis Center for Art through Feb. 10.
Lorena Molina (MFA '15) Exhibits at the 621 Gallery in Tallahassee
Nothing Hurts like Home explores my complicated relationship with homemaking as a refugee who has experienced displacement.This project is a fragmented visual diary/Study of the challenges and markers of making a home in the between. Home has always been a battlefield. Home is where I was taught to fear. How do you make home when going home is too dangerous? What do you do with the pain that home brings? This work was influenced by my move to rural central NY as I simultaneously became a US citizen. It deals with the dislocation, otherness, and white washing caused by the process of making home in the unwelcoming. This work explores the ways I hold on to my cultural roots as everywhere I go demands adaptation and assimilation. The performances and photographs were made in El Salvador and Sauquiot, NY. They are my attempts to make sense of and connections to a state I did not choose. In 2017, I returned to my homeland after 14 years of being told it is a place I should not be. I visited my childhood home that now is ruled by gangs and I reconnected with my father. The photographs and videos aim to make a visual map of the interconnections between the land I was forced to leave, my place here, and what remains of the memory I once called home. This work is my reconciliation and acceptance of a reality that it is part of the immigrant experience to never truly be there nor here; while at the same time I aim to find the possibilities of existing in a state of liminality to create a space where my brown body can thrive and exist.
'After the War' with Xavier Tavera - Lecturer and MFA ('17)
When Xavier Tavera (M.F.A. ‘17) moved to the Twin Cities in 1996 from Mexico City, he swapped a future law career for life as a photographer. But he also underwent an even more profound personal transition. “In Mexico, I’m nothing,” he says, referring to the fact that he can’t easily be labeled in a society where so many of his fellow citizens look like him and speak his native tongue. “But here, I’m Mexican and an immigrant and a person of color.” Understanding how that experience has impacted his fellow Latinos and their Minnesota subcultures has become a guiding force for his work. His most recent show, “AMVETS Post #5,” which is at the Minnesota History Center through April, includes 35 portraits of Mexican and Mexican-American military veterans who have returned home to St. Paul’s West Side from the battlefields of World War II, Korea, and Vietnam. Many of Tavera’s subjects enlisted in order to become U.S. citizens, only to see their rights undercut when they returned home. Some felt abandoned by the country they fought to protect.
Professor Diane Willow Presents Tune-able Atmosphere
The Department of Art is proud to annouce the recent participation of Assistant Professor Diane Willow in the International New Media Art Triennial Exhibition in Beijing, with the piece Tune-able Atmosphere - a large-scale interactive light sculpture. With exhibitions in four venues across the city, Willow presented Tune-able Atmosphere at the 798 Enjoy Art Museum in the 798 Art District in Beijing. Willow also gave a presentation at the related academic symposium held at the Beijing Film Academy and Tsinghua University in Beijing, China. This international symposium and exhibition was attended by artists, theorists, and curators from China, Japan, France, and Germany as well. Lucky for us here in Minnesota, a related work, titled Horizon, is currently installed at the Institute for Advanced Study on the 2nd floor of Northrop Horizon is a pair of tune-able atmospheres, one that can be tuned from each side of the glass window.
Art as Invitation
Iranian-born artist Nooshin Hakim Javadi grew up in war. When she was a girl in the city of Qazvin, two hours northwest of Tehran, Iran’s capital, she was terrified by air raids. “My mom would pull my three siblings and me to her belly and sing a lullaby for us,” she says. “I could feel my mother’s fear—the tension in her body, the pounding of her heart—yet her singing voice would vibrate through her body into mine, and that soothed me so much.”
Avigail Manneberg Receives 2018 Grant from the Human Rights Initiative
"A Contested Home: Memory, Commemoration and Rights around Forced Migration of Palestinians in the Galilee" will use artistic representation to engage with issues of forced migration and displacement. It explores how visual and theatrical storytelling can redress historical amnesia by seeking to foster dialogue between two groups who have a long and contentious history, Palestinians with Israeli citizenship and Jewish Israelis. Professors Kuftinec and Manneberg will work with eight local artists to develop an interdisciplinary body of work culminating in an exhibition and public art installation.
Professor Mathew Zefeldt Exhibits HUNTER/KILLER
It had been speculated that the world would end in 2012, or at the very least mankind would enter a new eon. While the date came and went without a bang, unbeknownst to most humans on earth it may have actually happened, as we replaced our own minds as the smartest things on earth with quantum computing. This form of computing has led to the rise of Artificial Intelligence, and the last 5 years have seen major leaps towards creating machines smarter, stronger, and potentially more powerful than mankind. AI has now even crossed into the home with smart speakers, TV’s, and phones that have first names and know yours. What AI fundamentally means for us is impossible to calculate but we can’t deny its here and growing smarter every day. Having something on the planet that can think for itself, invent its own language, and gain access to our most secured networks is troubling enough in fantasy films, but this is increasingly closer to the truth of our reality. In Mathew Zefeldt’s installation we are confronted by the frightening side of AI, with the image of terminator painted on all surfaces of the gallery. The floor and all the walls are covered with repeating grey scale images of it. Zefeldt has then installed 4 painted canvases with pink and red terminators on top of this motif. Being inside of Zefeldt’s installation one can’t escape the feeling of being overwhelmed and in the midst of something both awe inspiring and frightening.
Professor Paul Shambroom's Work in the Getty Collection
LOS ANGELES – The J. Paul Getty Museum announced today the donations of two groups of photographs from collectors Leslie and Judith Schreyer and Michael and Jane Wilson. The gifts include works by artists not previously in the Museum’s collection, as well as photographs that enhance the Museum’s existing holdings. “These generous gifts complement and strengthen our holdings of important photographers from Los Angeles, New York, Europe and Asia,” says Timothy Potts, director of the J. Paul Getty Museum. “Both Les and Judy and Michael and Jane are longtime and enthusiastic supporters of the Museum and our photographs department. Their donations will provide a rich trove of images from which we will be able to organize future exhibitions.”
Professor Andréa Stanislav: Cosmist Reconstructions
Bruno David Gallery is pleased to present Cosmist Reconstructions, the first solo exhibition with artist Andréa Stanislav. In conjunction with the exhibition, Bruno David Gallery Publications will publish a catalogue of the artist’s work with an exhibition history and bibliography. For this exhibition, Stanislav uses sculpture in concert with her collage and text constructions to tap into the utopic philosophical and cultural phenomenon of Russian Cosmism. Cosmism’s widespread reemergence is virtually unknown in the west, this early 20th- century Russian philosophy included diverse thinkers such as Nikolai Fyodorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky amongst others, who formed ideas of active approaches to space exploration and colonization, personal immortality, and a resurrection of the dead.
31st Fall Iron Pour Sparks Teamwork
A group of students, faculty, and visiting artists get together annually to pour hot iron into sculptural art within the foundry at Regis Center for Art. Tamsie Ringler, an assistant professor in the art department, comments on this year's iron pour, along with senior BFA student Stephen Edstrom and senior studio art major Rose Von Muchow.
Q&A: Lecturer and Visual Artist Sam Hoolihan
Wednesday night, Trylon Cinema quickly sold out as University of Minnesota alumnus and adjunct professor Sam Hoolihan presented “Silence with Sound,” a collection of Super 8 and 16-mm films. The highlight of the evening was Hoolihan’s most recent work, “Stasis & Motion,” a 16-mm film consisting of three black and white projections, as well as live vocals and music by local artists John Marks and Crystal Myslajek.
Gustavo Germano’s 'Ausencias/Absences' brought to the Quarter Gallery at...
Argentine photographer Gustavo Germano’s exhibition “Ausencias/Absences" opened at Regis Center for Art on Friday night. Brought to the University largely on behalf of Spanish and Portuguese Studies Professor Ana Forcinito, the photographs confront the state-enforced disappearances that took place during the 1960s to 1980s dictatorships in Argentina, Brazil and Uruguay.
University of Minnesota MFA graduate’s 'To allow for breath' exhibit...
Photographs, hung sparsely on the gallery walls of The White Page, depicted natural light in bare settings, gentle ripples in still water, lines of poetry and intimate portraits of women of color. The photographs belong University of Minnesota MFA graduate Mara Duvra. Part of The White Page’s one-month residency program, the opening reception for Duvra’s exhibit “To allow for breath” took place at the South Minneapolis gallery Friday night. “This is really only the beginning. ‘To allow for breath’ is the first visual chapter of a wider project that I call ‘Tending,’” Duvra said.
Trauma is a Time Machine: Art and Healing in Troubled Times
Trauma collapses past and present. It suspends the passage of time. Not only does trauma alter the experience of the past: it steals the capacity to imagine a future. Since the logic of trauma asserts that the worst already has happened, life seems over; impossible to plan, dream, and believe in wild possibilities, in change. The literature on trauma calls this "a foreshortened sense of the future." To tempt the mind into unruly speculation, Iyapo Repository, a project in residence at Macalester College's Law Warschaw Gallery in St. Paul, asks for participation in creating an archive of the future. Envisioned by two New York-based artists, Ayodamola Okunseinde and Salome Asega, Iyapo Repository pays homage to Afrofuturism's Octavia Butler and the heroine of her Xenogenesis trilogy, Lilith Iyapo, but charts its own path into a complex not-yet: an archive of what might come to be that holds the imaginary residue of an even more distant future.
Professor Christine Baeumler Installs High-Rise For Pollinators
The nonprofit arts organization Public Art St. Paul will soon unveil the first pollinator “sky rise” — a 4-feet-high, 3-feet-wide bee tower, elevated on a pole — near Como Lake walking trails, by the intersection of West Como Boulevard, Nagasaki Road and Horton Avenue.
Elise Armani and Lexi Herman Guest Curate at the Walker Art Center
“The experience was pretty amazing. We were able to explore the Walker archives and work with Walker curators, installation staff, and archivists to design the installation and interpret the materials,” says Armani, who after recently graduating now begins a new role as a fellow with the Dallas Museum of Art.
Porch, Hair & Nails and Yeah Maybe Galleries Profiled in Star Tribune
Mark Schoening and his wife, Dawn England — transplants from Los Angeles — opened Porch Gallery in May 2016 at their ornate Park Avenue home as a way to contribute to Minneapolis’ creative economy. “Living in a space surrounded by art and running this small art space has brought a creative energy to the house that I wouldn’t have imagined,” said Schoening, a Minnesota native. He applied the skills he once used to design storefront displays for Forever 21 to create an inviting exhibit area in their front window. Four months out of the year, the front room is blocked off and artworks can be viewed from the porch.
Professor Emmett Ramstad Interviewed by Hyperallergic
Artist Emmett Ramstad, a trans artist living in Minneapolis, sees public bathrooms as contested spaces emblematic of how the United States functions. Ramstad’s inquiry into the current politics surrounding bathrooms begins with their formal aspects — the stall “legs,” the space underneath, the ubiquitous beige color — to open a dialogue about privacy, vulnerability, mundanity, serviceability, shame and pleasure, segregation, and access. Ramstad’s sculpture, installations, and participatory actions unpack the architecture of social and moral codes that organize the physical space of the bathroom. He is currently working on an artist book called Quasi-Public, Semi-Private that will be released in November. When debates about bathrooms occupy the Texas legislature and tweets dictate the fates of transgender people in the military, Ramstad’s query is especially timely and relevant.
Sonja Peterson Presents "The Nature of Paper" at the MN State Fair
The exhibit title is “The Nature of Paper: Cuts and Folds.” All of the work speaks to the natural world and questions where we locate ourselves within, through narrative or general visual references. The Creative Arts Building has a long history of housing a wide variety of exhibits, and is a perennially unique, visual cornucopia for the senses. It is the first building on the left at the main entrance to the State Fair and across the street from the University of MN Driven to Discover building.
Jess Hirsch Opens the Women's Woodshop
What does it mean to have a feminine approach to woodworking, and to a shared woodshop? Hirsch clarifies that the space is not focused on the absence of men (there are some co-ed classes), but on the presence of women and non-binary arists, teachers, craftspersons and amateurs. "It's really all about supporting makers in the learning experience. It's about giving people space and time to learn at their own pace, not interjecting immediately when someone is struggling. They're able to either come to me and ask for help, or take the time to figure it out. Other situations I've experienced with woodshops, I've been corrected immediately and unable to learn at my own pace."
Shaping Molten Metal with Tamsie Ringler
Ringler has been a full-time, Term Assistant Professor at the University of Minnesota for the last three years, and she has been in charge of the Foundry program since Professor Emeritus Wayne Potratz retired. She received recognition for her work with metal in the form of a McKnight Fellowship in 2017, and there are no signs of her slowing down. Her recent work explores the energy of landscape through mold-making and casting, and she has an ambitious project in mind that involves casting every mammal on earth – some 5600 species – as part of a broad conservation effort.
Street Life: Photographing the City
It’s far too easy to spend the day sucked into the screen of your phone or laptop, essentially oblivious to the details of the world around you, whether that means the cracks in the sidewalk, the faded signage on corner convenience stores, or the quotidian rhythms of pedestrians and commerce on a given city block. Both Grant and Hoolihan are inspired by the cityscape right outside the doors of the University of Minnesota, and have treated this summer workshop course as an opportunity to inspire and encourage their students to explore their immediate surroundings with a sense of intention, awakeness and awareness.
Remembering Katherine E. Nash
Surveying her body of work in bronze casting and welded metal, the depth of her curiosity, experimentation and playfulness quickly become apparent. Almost 50 years after her initial entry into the University of Minnesota as an undergraduate, and fifteen years after she began teaching there, Katherine E. Nash retired in 1976. Though she had been the only female faculty member of the art department for more than a decade, she lived to see the impact of her hard work over the years, as women slowly began to play a larger and larger role in the composition of the faculty.
Nooshin Hakim Javadi Takes Flight
MFA candidate Nooshin Hakim Javadi is just finishing her degree, but she is already getting international attention and accolades. This summer she is a Jerome Foundation Fellow at the Franconia Sculpture Park, and just received the prestigious Outstanding Student Achievement in Contemporary Sculpture Award from the International Sculpture Center.
"We Move Still" at Franconia Sculpture Park
Rosenow and Martin were excited about the opportunity to create something on a much more monumental scale than they had ever worked before. They were inspired by the projects of Félix González-Torres, Ann Hamilton and Roni Horn, who use everyday materials in unfamiliar ways. For their giant blue curtains they settled on debris netting fabric, made of knit polyethylene, which is commonly used in the construction of skyscrapers. For the height of the piece, they decided upon 34 feet because that was the upper limit imposed by the logistics of constructing the steel support frame.
A New Plasma Cutter for the Regis Center for Art
Professor Tamsie Ringler Receives Academic Innovation Grant for CNC Plasma Cutter