Framing Latin American Cinema
Ed. Ann Marie Stock
Focuses on the critical constructions of Latin American Cinema, and the challenges those practices that reduce Latin American films to illustrations of U.S. and European film and cultural studies theories. It also provides insights into film industries in Cuba, Argentina, Colombia, Mexico, Guatemala, Brazil, and Venezuela.
Foreword
Ambrosio Fornet
Introduction
Through Other Worlds and Other Times: Critical Praxis and Latin American Cinema
Ann Marie Stock
- High-Rise Apartments, Arcades, Cars, and Hoteles de citas: Urban Discourse and the Reconstruction of the Public/Private Divide in 1960s Buenos Aires
Laura Podalsky - Backwards Blindness: Brazilian Cinema of the 1980s
José Carlos Avellar - Recent Colombian Cinema: Public Histories and Private Stories
Ilene S. Goldman - When the Mountains Tremble: Images of Ethnicity in a Transcultural Text
Teresa Longo - How Real is Reel? Fernando de Fuentes’s Revolutionary Trilogy
John Mraz - Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison
Patricia Santoro - Moving to Thought: The Inspired Reflective Cinema of Fernando Pérez
Beat Borter - Román Chalbaud: The “National” Melodrama on an Air of Bolero
Paulo Antonio Paranaguá - The Persistence of a Vision: Going to the Movies in Colombia
Gilberto Gómez Ocampo - Mexican Melodramas of Patriarchy: Specificity of a Transcultural Form
Julianne Burton-Carvajal - Queering the Patriarchy in Hermosillo’s Doña Herlinda y su hijo
David William Foster - Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Postnational Era
Néstor García Canclini