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Professor Adriana Zabala Performs in the Berkshire Opera's "Ariadne auf Naxos"

September 1, 2017

Adriana Zabala (voice) recently performed the role of the Composer in Richard Strauss's Ariadne auf Naxos with the Berkshire Opera Festival Company at the Colonial Theater in Pittsfield, MA on August 26, August 29, and September 1. Learn more about the production. See below for the rave reviews Zabala has received for her performance. 

“As to Adriana Zabala, the Composer, Nicole Haslett as Zerbinetta and Marcy Stonikas as Ariadne, we cannot imagine, at least last night in that house, greater perfections. Zabala, lithe and trim in the pants role of (a male) composer, sang movingly (with perfect soupçons of adolescent cosmic angst) in her exquisite mezzo. Exiting the theater, glamorously accoutered as a real star, she confided to us how much she loves this role. Charming and disarming.” – Tom Schemmer, Boston Music Intelligencer, August 28, 2017

“Mezzo-soprano Adriana Zabala took the difficult first act role of The Composer and made it her own. Singing with vivacious expression her voice has a refined quality, so easy on the ear. A great performance, met by wild applause.” – Rex Hearn, The Berkshire Record, August 27, 2017

“Mezzo-soprano Adriana Zabala as the Composer was the standout in the Prologue. Alternately indignant about the desecration of his masterpiece and excited about the idea of creating something new, Zabala commands the stage with feverish intensity. – Walter Carroll, New England Public Radio, August 29, 2017

“As the prologue’s Komponist, mezzo Zabala flung herself into her role, dialing up the parodic elements of the composer as navel-gazing solipsist, and mooning conceitedly over her score in the black leather jacket of a misunderstood hipster-artiste.” – Joel Rozen, Parterre.com, August 29, 2017

“Mezzo-soprano Adriana Zabala, in the trouser role of The Composer, gives a passionate, lithe…and utterly Byronic portrait of the artist as a young egotist. Her vibrant, throbbing, white-hot vocalism is ribbed with steel in the role’s moments of unsurpassed indignation, yet melts into translucent rapture as the character succumbs to the charm and blandishments of the coquette Zerbinetta…the ravishing Zerbinetta/Composer duet that climaxes the Prologue is here rendered sizzlingly memorable via the exquisite vocal chemistry between Haslett and Zabala. – Charles Geyer, MyScena.com, August 29, 2017

“Zabala has the richness of the role to play, a young man whose talent is music and whose inclination is to love sopranos. She gives a strong and healthy impression with her strong mezzo-soprano tones to the firmness, and the finesse, of the unnamed artist. I have always felt that the authors were playing here with their own sense of unreasonable anonymity as creators of a work brought to life by the vocal artists they employ. Zabala brings that very sense of compassion to the role making her voice ring with the occasional hollow tone that expresses the loneliness he feels seeing his Diva and meeting Zerbinetta, queen of the comedians. This is a superb performance.” – J. Peter Bergman, The Berkshire Edge, August 31, 2017