Visiting Artist and Critics Program & Other Lectures
The Visiting Artists & Critics program fosters a greater understanding and appreciation of contemporary art through dialogue. Artists of national significance working in all media are invited to the Department of Art to present public lectures and meet with graduate students in seminars and for individual critique. Undergraduate and graduate students are welcome to attend workshops and lectures.
Unless otherwise noted, all lectures are at 7:00 pm in InFlux auditorium, room E110, Regis Center for Art. All events are free and open to the public.
Marcel van Eeden
September 13, 2016
Marcel van Eeden presented in conjunction with the Department of Art’s exchange program with the State Academy of Art in Karlsruhe, Germany, where he teaches in the area of Drawing and Painting.
Dutch-born Marcel van Eeden lives and works in Switzerland, Germany, and the Netherlands. He is known for black-and-white charcoal drawings and graphically powerful work. Van Eeden uses historical documents and found imagery, including photographs, exhibition catalogues, newspapers, magazines, and illustrations, as a basis for his work.
October 6, 2016
Winnipeg-born, Montreal-based artist Daniel Barrow works in video, film, print-making and drawing, but is best known for his use of antiquated technologies, his “registered projection” installations, and his narrative overhead projection performances. Barrow describes his performance method as a process of, “creating and adapting comic narratives to manual forms of animation by projecting, layering and manipulating drawings on overhead projectors”.
Boss Foundation Visitor
October 13, 2016
Sue Coe is one of the foremost political artists working today. Her work has been featured on the cover of ARTnews and in numerous museum collections and exhibitions, including a retrospective at the Hirshhorn Museum, Washington, DC. A firm believer in the power of the media to change attitudes, Coe has had artworks published in The New York Times, The New Yorker, Rolling Stone, Blab! and many others. Coe’s books include How to Commit Suicide in South Africa (1983), [Malcolm] X (1986), Police State (1987), and Bully! Master of the Global Merry-Go-Round (2004). Her print cycle The Tragedy of War (2000) was inspired by Francisco Goya’s Disasters of War etchings (1810–20) and examines the phenomenon of human violence and the horrors of combat. The artist is best known for documenting the atrocities committed by people against animals, starting with her award-winning book Dead Meat (1996). Other publications on the subject include Pit’s Letter (2000), Sheep of Fools . . . A Song Cycle for 5 Voices (2005), and Cruel (2012). A series of drawings and paintings, Elephants We Must Never Forget (2008), documents the abuse of elephants in the circus and elsewhere.
November 3, 2016
Travis McEwen was born in Red Deer, Alberta, Canada. He received an MFA from Concordia University, Montreal, and a BFA from the University of Alberta, Edmonton. Primarily working within the medium of painting as well as collage his work has been preoccupied with experiences of otherness and peripheral positions especially in regard to western limitations of gender and sexuality. More recently this has extended to Science Fiction and utopian motifs. He has shown work throughout Canada, including shows at Latitude 53 in Edmonton, Galerie La Centrale Powerhouse in Montreal, Owens Art Gallery in Sackville, New Brunswick and at the Art Gallery of Alberta, Edmonton in which he was included in Future Station: 2015 Alberta Biennial of Contemporary Art. Currently he is a Postdoctoral Fellow at the University of Minnesota, Department of Art, Minneapolis. He is represented by dc3 art projects in Edmonton.
Boss Foundation Visitor
November 15, 2016
December 1, 2016
Chloe Lum & Yannick Desranleau
January 25, 2016
Chloe Lum & Yannick Desranleau are multidisciplinary visual artists based in Montreal. Their work focuses on the lifespan of material, and how material stresses cause reactions that can be said to animate the materials. The duo is equally interested in collaboration; with each other, other artists, and their materials, as both subject matter and research interest. These interests in collaboration and materiality inform their practice in installation, sculpture, photography, dance, print and video wherein objects perform via their decay; to be reused and redeployed wearing the traces of past use. They have exhibited widely, recently at The Confederation Center for The Arts Gallery in Charlottetown, and The Center for Book and Paper Arts at Columbia College in Chicago. Find more information about their presentation here.
February 25, 2016
Tonja Torgerson creates printmaking based installation work that embraces and questions the current direction of the medium and use of the multiple. Torgeson employs traditional printmaking methods, wheat paste and installation to broach the subjects of human impermanence and decay. Torgerson holds a BFA from the University of Minnesota and an MFA from Syracuse University. She is currently a Print Studio Fellow at the Lawrence Arts Center in Lawrence, Kansas.
This talk is in conjunction with Free Radicals: Remixing History Through the Power of Print.
February 29, 2016
Scott Nedrelow is a multidisciplinary artist working across platforms including photography, video, and sculpture.
In 2011 Nedrelow presented Movie, a six-channel video installation, as a Minnesota Artists Exhibition Program show at the Minneapolis Institute of Arts. Movie was acquired and installed in the exhibition 75 Gifts for 75 Years at the Walker Art Center in 2015. Earthrise/earthset, a two-channel video, was shown in The Nature of Nature at the Minneapolis Institute of Arts in 2014. A work from his 2014 solo exhibition Afterlight at David Petersen Gallery is included in Ordinary Pictures, a survey of conceptual image-based practices at the Walker Art Center in 2016. Nedrelow is a 2015/16 McKnight Visual Artist Fellow and has received a grant from the Minnesota State Arts Board.
Trenton Doyle Hancock
April 7, 2016
Trenton Doyle Hancock earned his BFA from Texas A&M University, Commerce, and his MFA from the Tyler School of Art at Temple University, Philadelphia. Hancock’s prints, drawings, and collaged-felt paintings work together to tell the story of the Mounds—a group of mythical creatures that are the tragic protagonists of the artist’s unfolding narrative. Each new work by Hancock is a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures. Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to create new characters, develop sub-plots, and convey symbolic meaning. Hancock’s paintings often rework Biblical stories that the artist learned as a child from his family and local church community. Balancing moral dilemmas with wit and a musical sense of language and color, Hancock’s works create a painterly space of psychological dimensions. He is represented in New York by James Cohan Gallery and was featured in PBS' Art:21.
Coral Penelope Lambert
April 14, 2016
Coral Penelope Lambert is internationally recognized for large scale cast metal sculpture. Born and raised in London, UK she studied sculpture with Sir Anthony Caro and other leading figures in the field since living in America. She was an international research fellow at the University of Minnesota from 1995-98 and continues to utilize foundry practice to harness metals rich history in myth and mining. She is currently Associate Professor of Sculpture at Alfred University in Upstate New York where she directs the National Casting Centre Foundry. Her work can be seen in many sculpture parks, prestigious exhibitions and collections around the world.
This talk in conjunction with the 47th Annual Iron Pour: Iron Disco.
Amir H. Fallah
April 28, 2015
Amir H. Fallah received his BFA from Maryland Institute College of Art in 2001 and his MFA from University of California Los Angeles in 2005. His artistic oeuvre encompasses painting, drawing and sculpture/installation, with collage and complex patterning forming a large part of the visual vocabulary. The works are decidedly ornate but present a critical observation of the deconstruction and appropriation of portraiture in all its various forms. In his more recent body of work, aside from unravelling a different perspective to art historical portraiture traditions and the dynamics of modern day art collection and art making, he also reflects upon concerns of identity and representation that are central to his practice.
Amir has exhibited widely across the United States and internationally. Amir is a 2015 recipient of the Joan Mitchell Foundation Painters & Sculptors Grant. His works are part of several private and public collections, including the Nerman Museum Of Contemporary Art and the Salsali Private Museum Collection. Amir lives and works in Los Angeles, California.
For a complete list of upcoming public programs in the Department of Art, visit the UMN events calendar.