Juliette Cherbuliez
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Educational Background & Specialties
Educational Background
- PhD and MA: Comparative Literature and Literary Theory, University of Pennsylvania, Philadelphia, 1999, 1994.
- BA: Comparative Literature, University of Michigan, Ann Arbor, 1992.
Specialties
- Dramatic literature, theater history, performance studies
- ethics and experience of violence
- 17th-century French literature and culture, esp. drama and the novel
- Libertinism and free-thinking
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Courses Taught
- Fren 3671 - Theater of Pain: Violence and the Spectacular in Premodern France
- Human Nature from Descartes to Sade
- Fren 8271 - The Novel of the Ancien Regime
- Fren 3710 - Reading Libertinage: The French Novel in Translation
- Freshman Seminar/Honors Seminar: Luxury and Literature
- Fren 3350 - Classical Theater: Women Who Kill and the Men Who Love Them
- Fren 3101W - Introduction to French Literature
- 3015 - Advanced French Grammar and Composition
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Research & Professional Activities
Professional Activities
- Chair: University of Minnesota Press Committee on the Press , 2012 - 2014
- University of Minnesota Press, Committee on the Press: Member , 2009 - 2012
- Director of Graduate Studies, French: 2007 - 2013
- Winton Chair Committee: Member , 2013 - 2014
Research
- Theorizing Early Modern Studies Research Laboratory in History, Literature, Visual Studies, and Science (TEMS): Interdisciplinary works-in-progress collaborative seminar, 2003 - 2013
- Interdisciplinary Graduate Group: Theorizing Early Modern Studies , 2009 - 2015
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Publications
- Cherbuliez, Juliette. The Place of Exile. Leisure Literature and the Limits of Absolutism . Bucknell University Press, 2005. Image
- Andrew Billing. Paris, Imagined Capital: Economic Transition and Modernity (17th-19th Centuries). , 2015. Link
- “« Et que méconnaîtrait l’œil même de son père ». Les limites du savoir oculaire dans la description tragique.”Littératures Classiques 82.3 pp.176-183.
- “Silence of the Flames: The Slow Burn of Hercule mourant,”L’Eloquence du silence, eds. J. Tamas and H. Bilis, Paris: Garnier, 2014. pp. 57-76.
- “The Frisson of No-Touch. A Fan’s Gallant Allegory of the Senses,”Seventeenth-Century French Studies. 36:1 (June 2014). pp. 18–27.
- “On Letting Sleeping Blonds Lie: Gender, Leisure Literature, and the Imagination in Fontenelle,” The Romanic Review 102:1-2 (2011 March), 145-168.
- “Médée Cosmopolite,“Penser la Terreur, Actes de Cerisy-la-Salle, Presses universitaires de Dijon, 2009.
- ed. and intro. “Rare-en-tout,“Théâre de femmes, XVIe-XVIIIe siècles,éd. Aurore Evain, Perry Gethner, Henriette Goldwyn. Collection « l'école du genre », Publications de l'Université de Saint-Etienne, 2008.
- "Détours aux marges de la cour: un Ovide du grand siècle dans Les Exilez de la Cour d’Auguste," Mme de Villedieu: nouvelles perspectives critiques , Presses Universitaires de Dijon, 2004.
- "Performing Print, Forming Print: Montpensier and the Politics of Elite Textual Production," Papers on Seventeenth-Century French Literature, 2003.
- “The Outlaw’s Itinerary: Circulation and Identity in Eustache Le Noble’s La Fausse Comtesse d’Isambourg.“The French Review 73:3 (2000 Feb), pp. 475-85.
- “Ways of Knowing: Teaching the Predisciplinarity of the Late Seventeenth Century,” in Approaches to Teaching 17th- and 18th-Century Women Writers, ed. Faith Beasley MLA Publications, 2011. Pp. 109-118.
- The Science of Seduction: Libertinism’s Privileged Spheres of Knowing,” in Sex Education and the Eighteenth Century,, ed. Shane Agin, London: SVEC (2011 Fall): 217-236.
