Michael Gallope

My research draws together music, philosophy, critical theory, and modernism in various media. My first book, Deep Refrains: Music, Philosophy, and the Ineffable (Forthcoming 2017, University of Chicago Press), crosses boundaries of language, philosophical orientation, and aesthetic tradition to forge a comparative analysis of writings on music by Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari. It argues that music's ineffability is neither a conservative phenomenon nor a pious call to silence. It is instead a cause of perplexity that inspires intellectuals to address, in an ethical fashion, intricate philosophical questions specific to the modern world.

My second book, Strange Inscriptions: The Ineffable Avant-Garde, is focused on interpretive approaches to music of the 1960s and 70s avant-garde. In particular, it explores the ways marginal figures espoused and developed non-traditional commitments to musical form by exploiting the ephemerality and fragility of sound, the deliberate absence of skill or the problem of questionable expertise, the possibility of distance and disinterest, vernacular conceptions of sonic force, and the ad hoc poetics of collaboration. It will have chapters on David Tudor, Ornette Coleman, The Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell.

As a practicing musician I have worked in a variety of genres from avant-garde composition, experimental music, and free improvisation to rock music and electronic dance music. In Minneapolis, I currently play with the drone band, IE. From 2010–13, I performed, toured, and served as manager for Sierra Leonean singer Janka Nabay, and collaborated with him on a full length album released by David Byrne's label Luaka Bop in 2012. The band's performances were featured at The Museum of Modern Art, The Getty Center, The Kennedy Center, The Arab American National Museum, The Chicago World Music Festival, Bonnaroo Music Festival, P.S. 1 Warm-Up Series, Celebrate Brooklyn, The Wexner Center for the Arts, and The Brooklyn Academy of Music, among numerous other festivals and venues. Our collaboration is the subject of an article-in-progress entitled "World Music Without Profit: The Fractured Cosmopolitanism of Janka Nabay's Bubu Music." A second full-length album with Nabay will be released on Luaka Bop in 2017.

Educational Background & Specialties

Educational Background

  • M.A., Ph.D.: Historical Musicology, New York University, 2011.
  • Advanced Certificate: Poetics and Theory, New York University, 2011.
  • B.M., B.A. Visual Arts: Oberlin, 2003.

Curriculum Vitae

Specialties

  • Music and Sound
  • Continental Philosophy and Critical Theory
  • Peripheral Modernisms
  • Black/African Diaspora
  • Popular Culture
Courses Taught
  • CSCL 1905: New York in the 1970s: Punk, Hip-Hop, and Salsa (Freshman Seminar)
  • CSCL 3172: Music as Discourse
  • CSCL 5302: Aesthetics and the Valuation of Art (Spring 2017)
  • CSCL 5910: Sound Studies
  • CL/CSDS 8910: The Linguistic Turn
  • CL/CSDS 8910: Formalisms (Word, Image, Sound, Space)
  • CL/CSDS 8910: Ephemerality
  • CL/CSDS 8910: Structuralism (Spring 2017)
Research & Professional Activities

Professional Activities

  • Chair, Music and Philosophy Study Group, American Musicological Society: 2017 - 2020
  • Conference Committee: Music and Philosophy Study Group of the Royal Musical Association (United Kingdom)

Creative

  • Electric Organ: Janka Nabay and the Bubu Gang, En Yay Sah (Luaka Bop, 2012),
Publications
  • Gallope, Michael. Deep Refrains: Music, Philosophy, and the Ineffable. (Forthcoming 2017, University of Chicago Press)
  • Gallope, Michael, Natilee Harren, John Hicks (Eds.). The Scores Project: Musical Notation and the Mid-Century Avant-Garde. (Getty Publications, Under Contract)
  • Gallope, Michael. "On Close Reading and Sound Recording." Duke University Humanities Futures (2016): Link
  • Gallope, Michael. "Treble—Bright—Daylight Savings." Walker Art Center: The Green Room (2016): Link
  • Gallope, Michael. "Is Improvisation Present?." Oxford Handbook of Critical Improvisation Studies (2015):
  • Gallope, Michael, Brian Kane. "Music." The Nancy Dictionary (2015):
  • Gallope, Michael. "The Universal Form of Badiou's Wagner." Opera Quarterly 30 (2014): Link
  • Gallope, Michael. "Why Was This Music Desirable? On A Critical Explanation of the Avant-Garde." Journal of Musicology 31/2 (2014): 199–230. Link
  • Gallope, Michael. "Michael Gallope Responds...." Journal of Musicology 31/2 (2014): 297–8. Link
  • Gallope, Michael. "Ernst Bloch's Utopian Tone of Hope." Contemporary Music Review 31/5–6 (2012): 371–387. Link
  • Gallope, Michael, Brian Kane. "Vladimir Jankélévitch's Philosophy of Music: A Colloquy." Journal of the American Musicological Society 65/1 (2012): 215–256. Link
  • Gallope, Michael. "Technics, Consciousness, and Musical Objects." Music and Consciousness (2011): 47–64. Link
  • Gallope, Michael. "Cavell and Deleuze." Journal of Music Theory 54/1: Spring (2010): 107–120. Link
  • Gallope, Michael. "The Sound of Repeating Life: Metaphysics and Ethics in Gilles Deleuze’s Philosophy of Music." Radical Difference: Deleuzian Perspectives on the Theory and Philosophy of Music (2010): 77–102. Link
  • Gallope, Michael. "Is There a Deleuzian Musical Work?." Perspectives of New Music 46/2 (2008): 93–129. LinkDownload
  • Gallope, Michael. "Jean-Luc Nancy's Listening." Current Musicology 86 (2008): 157–166. Download
Awards
  • National Endowment for the Humanities Summer Stipend, Summer 2016
  • Faculty Residential Fellow, Institute for Advanced Study, University of Minnesota, Fall 2015
  • Research Fellowship, Center for Popular Music Studies, Case Western Reserve University, Summer 2015
  • Harper-Schmidt Fellow, Society of Fellows in the Liberal Arts, University of Chicago, 2011 - 2013
  • University of Southern California Provost’s Postdoctoral Scholar in the Humanities (declined), 2011
  • NYU Humanities Initiative Graduate Student Research Fellowship, 2010 - 2011
  • Mellon Fellowship in the Humanities, 2004 - 2005