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In This Section

  • Debate Volumes
  • Vol. 13: Resonancias: Transmisiones de la memoria de la dictadura en Uruguay
  • Vol. 12: Humor Bajo Autoridad
  • Vol.11: Handling the Truth: A Debates Volume on What Would Cervantes Do?
  • Vol. 10: Lo decible de la desaparición
  • Vol.9: Reflexiones en torno a La muerte del verdugo
  • Vol.8: A Polemical Companion to Medialogies
  • Vol.7: A Polemical Companion to Ethics of Life
  • Vol.6: The Place of Hispanic Linguistics and Literary/Cultural Studies
  • Vol.5: Exile, Intellectuals, and the Memory Wars
  • Vol.4: (Re)reading Gracián in a Self-Made World
  • Vol.3: On Photography, History, and Memory in Spain
  • Vol.2: Feminismos latinoamericanos
  • Vol.1: Crossing the Boundaries

On Photography, History, and Memory in Spain

Ed. Maria Nilsson

Introduction

On Photography, History, and Memory in Spain

Maria Nilsson

  1. Commodifying Place and Time: Photography, Memory, and Media Cultures Around 1850

    Rebecca Haidt

  2. Remembering Capa: Spain and the Legacy of Gerda Taro, 1936-37

    Hanno Hardt

  3. Stills of Mauthausen: The Photographic Memoirs of Nazi Camp Survivor Francesc Boix

    Maureen Tobin Stanley

  4. Travels in History Through Memory: Photography and the Restoration of the Past

    Txetxu Aguado

  5. Nueva Lente, Kracauer and the Historical Avant-Garde

    Susan Larson

  6. Encounters With the Unsightly: Reading (AIDS) History, Photography, and the Obscene

    Patricia Keller and Jonathan Snyder

Afterword

On Referentiality, Dissent, and the Inescapability of Context

Antonio Gómez L-Quiñones

Contributors

Cover Image: Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936 by Robert Capa

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