Interview with CURRENTS Choreographer Elayna Waxse

Elayna Waxse
Image by V. Paul Virtucio

Before the premiere of their new work, Elayna Waxse (she/they) gives insight into professional dance companies, working with students, and Swan Song!

What led you to the Twin Cities dance scene?

I moved here in 2006 after getting a job as a company member with Minnesota Dance Theatre.

Being with TU Dance for a while, what advice would you give students for finding a long-term company?

Research companies you are interested in joining. Look for things such as repertory, touring schedules, and dancer turnover. It's a good sign if the company has dancers that have been there for several years. Check the company website for audition information. If there is nothing listed, email and ask about their audition process. Tell them you are interested in auditioning and ask if you can take company class and observe rehearsals for a few days. Does the company have a summer or winter intensive? Those can also be great opportunities to develop relationships with directors and choreographers.

What is different when dancing to your own choreography instead of others?

It's difficult for me to dance in my own works! I'm constantly watching the piece from an outside perspective even when I'm in it, which means I usually forget the choreography and spacing I gave myself. I try to not perform in my pieces as much as possible for this reason. It's easier for me to focus on my individual role when I'm dancing in someone else's piece.

Get tickets to CURRENTS here!

 

What was it like working the student dance artists’ life stories into Swan Song?

It felt natural and organic. It was important to me that the students could see themselves in the work we were making. I gave the students some journal prompts to reflect upon themes of transition and caretaking and gave space for group discussion. These discussions helped shape the direction of the work and provided the basis for much movement generation.

What led you to create Swan Song?

 
Swan Song originated as a personal reflection to my father's declining health due to Lewy Body dementia and my mother's emerging role as his caretaker. I wanted to explore the ways we take care of one another through transitions.
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