Grad Studies: The Prodigal Play

This graduate student argues that a 1605 comedy satirizes its own reason for being
Medieval painting of prodigal son parable with on left man in orange leaing on staff with pigs and on right same man being hugged by older man in blue robe with halo
Parable of the prodigal son

Eunkyung Cho is a doctoral candidate in English literature who received Graduate Research Partnership Program support in 2020 to continue work on the dissertation entitled "Prodigal Son Tradition and Metatheater in English Jacobean City Comedy."

Image of PhD candidate Eunkyung Cho at desk looking at book

The second chapter of my dissertation investigates how Chapman, Jonson, and Marston’s 1605 city comedy Eastward Ho! transforms the apprentice character’s prodigality into a satirical style pertaining to the genre in which the play belongs. The chapter has three sections: discussions of the main character’s prodigality in Eastward Ho!, the self-referentiality in the play, and the transformation of prodigality into satire. I argue that this play paradoxically uses the convention of the prodigal son, its most direct literary influence among the existing theatrical conventions, in order to parody the desire to enact the very convention on stage.

In this play, prodigality not only refers to a character’s theatrical skills, but also the collaborative dramatists’ writing style. Thus, the play itself eventually refers to the inception and production of the play by challenging a preceding dramatic convention and contexts for staging. More broadly, Eastward Ho! embodies the nature of prodigality through its style and implications within the development of Early Modern English theater. While revising the second chapter and drafting the third one I will be applying to present this chapter for conferences and/or publication.

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