Quarter Gallery

Painting of blue bird-headed woman clutching purse with veins emanating from her head
Caption
Jonathan Thunder, Raven’s New Purse, 2016. Acrylic on canvas, 64 x 48 in.
Blue painting of a cartoon couple with exaggerated features sitting at a table
Caption
Jonathan Thunder, Midnight Espresso Dream Sequence, 2023. Acrylic on canvas, 36 x 36 in.
Red and pink painting of motorcycle helmets with deer antlers, Tweety Birds, and dancing Honey Bears
Caption
Jonathan Thunder, Wrong Side of the Tracks, 2017. Acrylic on canvas, 60 x 48 in.
Black and white painting of cartoon characters on a canoe
Caption
Jonathan Thunder, The Hibernation of Reason Produces Monsters, 2022. Acrylic on linen, 48 x 60 in.
Cartoonish painting of a fedora with turqoise feather in front of Popeye and cat on a canoe
Caption
Jonathan Thunder, In Dreams, 2024. Acrylic on canvas, 20 x 16 in.
Painting of fantasty character in bathroom and rabbit slippers looking at the Pink Panther
Caption
Jonathan Thunder, Hypnagogia, 2023, Acrylic on canvas, 36 x 24 in.

 

On view April 29 - May 17, 2025
Jonathan Thunder: The Artist As Storyteller
Full Press Release

Gallery hours are Tuesday – Saturday, 11:00am – 5:00pm.

The George Morrison Center for Indigenous Arts at the University of Minnesota presents Jonathan Thunder: The Artist as Storyteller, a one-person gallery exhibition of paintings by the acclaimed Minnesota-based artist. The exhibition includes fifteen artworks spanning the period from 2016 to 2024 plus a new large-scale painting Out to Sea: The Dreamer commissioned for the exhibition and produced in 2025. Thunder is known for his surreal paintings, digitally animated films, and installations in which he addresses personal experience, mythology, history, and social commentary. The artist explores and interrogates identity dynamics using images that incorporate masks, humanistic animals and animalistic humans. When composing each work, he thinks from a storytelling standpoint to create a vignette. Jonathan Thunder has said, “If there is an image, there has got to be a story.”

Artist Statement and Biography
“Visual storytelling plays a big role in my practice. In the painting process I work from intuition, but as the painting is put together, I’ll sense a vignette emerging. I draw inspiration from influential experiences. These current events become the setting or arrangement for the painting. The recipe is often experimental and like a dream sequence. I grew up reading Mad Magazine, Robert Crumb, collecting Garbage Pail Kids, riding skateboards with elaborate, odd designs on the deck, listening to Public Enemy, Rage Against Machine, Tom Waits and watching MTV. I’m also a life student of Ojibwe culture and storytelling. The Twin Cities is where I was raised, and I was born on the Red Lake Indian Reservation. These two worlds are integrated to me, yet far apart. Both worlds inform my perspective. I’m also attracted to urban minutiae, bad graffiti, tattoos, tribal symbolism, children’s tales, and dreams. I feel these symbols help place my work in our time and connect it to where we are today.” – Jonathan Thunder

Jonathan Thunder attended the Institute of American Indian Arts - Studio Arts Program in Santa Fe (1999-2000) and received a B.A. in Visual Effects and Motion Graphics from the Art Institute International in Minneapolis (2005). His epic animated mural Manifest’o was installed in the Minneapolis-St. Paul International Airport 2021 - 2023. Thunder has received numerous awards and fellowships, including the Jim Denomie Memorial Scholarship, the McKnight Foundation Fellowship, the Minnesota State Arts Board Grant, the Pollock-Krasner Foundation Grant, and the Tiwahe Foundation Leadership Grant. His work has been included in numerous one-person, two-person, and group exhibitions at All My Relations Gallery, the Duluth Art Institute, the Highpoint Center for Printmaking, the Minneapolis Institute of Art, the Muskegon Museum of Art, Rochester Art Center, and the Tweed Museum of Art. Jonathan Thunder: Good Mythology premiered on PBS American Masters in 2023.

Sponsorship
Jonathan Thunder: The Artist as Storyteller is presented by the George Morrison Center for Indigenous Arts at the University of Minnesota and made possible with generous support provided by the Harlan Boss Foundation for the Arts. The Quarter Gallery is operated by the Department of Art at the University of Minnesota.

The Quarter Gallery spans 2,000 square feet for the presentation of student exhibitions and community partnerships.

Location
Regis Center for Art (East)
405 21st Avenue South
Minneapolis, MN 55455

The Regis Center for Art is accessible by U-Card only. Please call 612-624-7530 upon arrival to gain entrance to the galleries through the building's main entrance located on 21st Avenue South directly across from the parking garage.

The I-94 westbound exit ramp to Riverside/25th Ave is closed, and traffic on I-94 in both directions is reduced to two lanes potentially creating significant delays if you're coming from the east. Cedar Ave is an alternative exit. Eastbound exits are open. More information available here. 

Gallery Hours
Tuesday – Saturday, 11:00am – 5:00pm

Contact Us
[email protected]
612-624-7530

Parking & Public Transit
Learn more about the parking options below:
21st Avenue South ramp
5th Street South lot
19th Avenue South ramp

Hourly metered parking is available nearby on 22nd Avenue South and Locust Street
The gallery is accessible via Metro Transit buses and light rail lines. For your best route, visit Metro Transit Trip Planner.

Accessibility 
Regis Center for Art is accessible to visitors who use mobility devices or prefer to avoid stairs. Service animals are welcome in the gallery. A fully accessible, gender neutral restroom is available on the 2nd floor of the Regis Center for Art (West). To access this restroom, take the elevator to the 2nd floor and proceed across the skyway towards Regis West. As you exit the skyway the restroom will be directly across from you. Fully accessible gendered restrooms are located directly to the left hand side when exiting the gallery on the first floor of Regis Center for Art (East).

The Gallery will be closed for the summer season. 
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