Katherine E. Nash Gallery

Two leather covered mufflers connected by a leather pipe and situated on top of hollow concrete blocks.
Dahn Gim, Erin from Names I Had You Call Me, 2025. Leather covered mufflers, thread, audio (loop), 38 × 55 × 13.5 in. (96.5 ×139.7 × 34.3 cm). Photo courtesy the artist. ©Dahn Gim
Two sheets of crochet wire suspended by hooks in the ceiling.
Tracy Krumm, Balanced, 2006/2026. Crochet copper and brass, found steel objects, patina. 121 × 114 × 82 in. (307.3 × 289.6 × 208.3 cm). Photo courtesy the artist. ©Tracy Krumm
Suspended, abstract layers of fabric.
Rachel Breen, Banner Of the Commons #13, 2026. Disassembled used clothing, thread, embroidery floss, used sari trim, steel armature fabricated by Lisa Elias, 128 × 96in. (325.1 × 243.8 cm). Photo courtesy the artist. ©Rachel Breen
Wax balloons tucked among tangled felt and tree roots.
Dwight Mickelson, Invasive Conception (detail), 2026. Common buckthorn root, beeswax, wool, soot, pollen, walnut, .62 × 24 × 30 in. (157.5 × 60.9 × 76.2 cm). Photo courtesy the artist. ©Dwight Mickelson
Figurative and abstract ceramics arranged a table.
Kenneth Steinbach, Win, Lose or Draw (detail), 2026. Found objects, drywall and wood, 98 × 170 × 135 in. (248.9 × 431.8 × 342.9 cm). Photo courtesy the artist. ©Kenneth Steinbach
A twist of aluminum ductwork.
Erika Terwilliger, UntitledDVs06, 2023. Disassembled and reassembled aluminum ductwork, 31 × 36 × 18 in. (78.7 × 91.4 × 45.7 cm). Photo courtesy the artist. ©Erika Terwilliger
Mass of colored newspaper twisted in a pile on top of wooden.
John Fleischer, F09 (Let’s pretend all remedies are solutions), 2023. Newspaper, string, rope, microcrystalline wax, frankincense, bells, found branches, dried clementines, pine, oak. 49 × 41.5 × 28.5 in. (124.5 × 105.4 × 72.4 cm). Photo courtesy the artist and the Thomson Family Collection, Minneapolis. ©John Fleisher
TV monitor on the floor projecting video footage of the miniature rocket on a spinning flat moon surface.
Chris Rackley, Third Attempt, 2016. Wood, foam board, inkjet print, plastic toy, wire hook, clamp light, LED bulb, motor, camera, television set, power strip, 39 × 66 × 30 in. (99.1 × 167.6 × 76.2 cm). Photo courtesy the artist. ©Chris Rackley
Vinyl tile flooring with lines and arrows criss-crossing.
Angel St. Vrain, Duplex Stairs (detail), 2026. Peel-N-Stick vinyl tile flooring, traction grip tape, masking tape, masking paper, .075 × 159 × 174 in. (.2 × 403.9 × 441.9 cm). Photo courtesy the artist. ©Angela St. Vrain
A blue tower of geometric shapes and synthetic loop of hair.
Lela Pierce, The Sweeper, 2026. Wood, acrylic-based gouache, synthetic hair, 67 × 38 × 9 in. (170.2 × 96.5 × 22.8 cm). Photo courtesy the artist and the Bockley Gallery. ©Lela Pierce
large carpeted double ramp with materials exposed on the backside.
Cameron Patricia Downey. To The 9s (back), 2026. Carpet, lumber, brass, steel, dolphins, comforters, fixtures, lace, lamps, knobs, beads, keepers, kipple, firstladysuit, plastic, fixings, foam, veils, signs, symbols, antennae, a thick ass piglet and cookie tins. 130 × 108 × 111 in. (68.5 × 187.9 × 121.9 cm). Photo: Pat Garcia. Courtesy the artist. ©Cameron Patricia Downey
Detail shot of a split blue medical screen.
Alison Hiltner, I Will Follow (detail), from My Darling Companions, 2025. Mixed media. Dimensions variable. Photo: Rik Sferra. Courtesy the artist. ©Alison Hiltner
Bronze figure of a rabbit tripping over the lead base of the sculpture.
Alexa Horochowski, Naturaleza Muerta Con Una Liebre (Still Life With A Hare), 2024. Lead, bronze, pewter, 27 × 74 × 48 in. (68.5 × 187.9 × 121.9 cm). Photo courtesy the artist. ©Alexa Horochowski
Wooden table with wheels and extended handles on the sides with bread and bricks on top.
Katayoun Amjadi, Brick - Break - Bread, 2026. Repurposed pallet wood, cast iron wheels, construction bricks, handmade bricks with bread mortar, 32 × 192 × 30 in. (81.3 × 487.7 × 76.2 cm). Photo courtesy the artist. ©Katayoun Amjadi

Gallery reopens Tuesday, September 8 at 11:00 am. 

Let's Meet at the Horizon 
September 8 - December 12, 2026

Reception: October 21, 6-7:30 pm

Join us for a joint reception to celebrate this exhibition and Slices and Shadows: ISC Chapter Members in the adjacent Quarter Gallery.

The Katherine E. Nash Gallery is proud to present Let’s Meet at the Horizon, an exhibition featuring fifteen artists from across the state of Minnesota whose practices engage with the expanded field of sculpture. As noted by the exhibition curators, “...sculpture is only one visible trace of a much larger process of paying attention and continually adjusting our relationship to the world around us.” Across the exhibition works, these visible traces appear as carved wood, cast metal, delicately shaped beeswax, meticulously sewn leather, or an intricate web of electrical lines. The range of material choices are echoed in the scope of conceptual inquiry, which spans ecological networks and personal archives to domestic architecture and illusions of space. Artists in the exhibition include Katayoun Amjadi, Rachel Breen, Cameron Patricia Downey, John Fleischer, Dahn Gim, Alison Hiltner, Alexa Horochowski, Tracy Krumm, Dwight Mickelson, Lela Pierce, Chris Rackley, Aaron Spangler, Kenneth Steinbach, Angela St. Vrain, and Erika Terwilliger.

Curated by Department of Art sculpture faculty, Professor Chris Larson and Associate Professor Rotem Tamir, Let’s Meet at the Horizon is made possible with support from the Harlan Boss Foundation for the Arts. The exhibition coincides with the 32nd International Sculpture Conference, The Evolving Field of Sculpture: Shaping the Future of Public Culture (October 22-25), which will be held in the Twin Cities for the first time since its inception in 1960. These activities offer a unique opportunity to engage with artists, educators, cultural workers, and students who believe in the importance of education, dialogue, and mutual support in advancing the future of sculpture. Learn more about the full schedule of events.