Hybrid Storyspaces
Ed. Christine Henseler and Debra A. Castillo
Introduction
Hybrid Storyspaces: Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature
Christine Henseler and Debra A. Castillo
Part 1: Creative Code-Switching
1. The Bicephalous Writer: The Commingling of the Creative Writer and the Critic in a Single Body
Jorge Carrión
2. PostDigitalism in Contemporary Spanish Fiction
Germán Sierra
3. Cristina Rivera Garza’s Tweets
Edmundo Paz Soldán
4. Enveloping Literature and Other Challenges to the Multimedia Author
Doménico Chiappe
5. Twenty Years of Internet Exploration
Rosina Conde
Part 2: Technologies of Production and Consumption
6. Topological Time in Proyecto Nocilla [Nocilla Project] and Postpoesía [Post-poetry] (and a brief comment on the Exonovel)
Agustín Fernández Mallo
7. Breaking the Code: “Generación Nocilla,” New Technologies, and the Marketing of Literature
Vicent Moreno
8. The Art of Seduction: Truth or Fanfiction in the World of Lucia Etxebarria’s Online ‘Friends’ and the Blogosphere
Virginia Newhall Rademacher
9. You'll Never Write Alone: Online Sharing Economy and the New Role of the Reader
José Enrique Navarro
10.
Laura Borràs
Part 3: Remixing and Recycling Narrative Bits and Bytes
11. An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s “Señales captadas en el corazón de una fiesta”
J. Andrew Brown
12. Post-Digital Remixes and Carnavalesque Relinkings: Eduardo Navas’s Goobalization
Claire Taylor
13. Voice, Music and the Experience of the Neutral in Martín Rejtman’s Fictions
Irene Depetris Chauvin
14. Close Readings of the Historic and Digital Avant-Gardes: An Archeology of Hispanic Kinetic Poetry
Eduardo Ledesma
15. The Travelling Texts of Local Content: Following Content Creation, Communication and Dissemination via Internet Platforms in a Brazilian Favela
Tori Holmes
Afterword
A Bookless Literature?
Luis Martín-Estudillo and Stephanie A. Mueller
Cover Image
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