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Hybrid Storyspaces

Ed. Christine Henseler and Debra A. Castillo

Introduction. Hybrid Storyspaces: Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature
Christine Henseler and Debra A. Castillo

Part I: Creative Code-Switching

Chapter 1

The Bicephalous Writer: The Commingling of the Creative Writer and the Critic in a Single Body
Jorge Carrión

Chapter 2

PostDigitalism in Contemporary Spanish Fiction
Germán Sierra

Chapter 3

Cristina Rivera Garza’s Tweets
Edmundo Paz Soldán

Chapter 4

Enveloping Literature and Other Challenges to the Multimedia Author
Doménico Chiappe

Chapter 5

Twenty Years of Internet Exploration
Rosina Conde

Part II: Technologies of Production and Consumption

Chapter 6

Topological Time in Proyecto Nocilla [Nocilla Project] and Postpoesía [Post-poetry] (and a brief comment on the Exonovel)
Agustín Fernández Mallo

Chapter 7

Breaking the Code: “Generación Nocilla,” New Technologies, and the Marketing of Literature
Vicent Moreno

Chapter 8

The Art of Seduction: Truth or Fanfiction in the World of Lucia Etxebarria’s Online ‘Friends’ and the Blogosphere
Virginia Newhall Rademacher

Chapter 9

You'll Never Write Alone: Online Sharing Economy and the New Role of the Reader
José Enrique Navarro

Chapter 10

Laura Borràs

Part III: Remixing and Recycling Narrative Bits and Bytes

Chapter 11

An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán’s “Señales captadas en el corazón de una fiesta”
J. Andrew Brown

Chapter 12

Post-Digital Remixes and Carnavalesque Relinkings: Eduardo Navas’s Goobalization
Claire Taylor

Chapter 13

Voice, Music and the Experience of the Neutral in Martín Rejtman’s Fictions
Irene Depetris Chauvin

Chapter 14

Close Readings of the Historic and Digital Avant-Gardes: An Archeology of Hispanic Kinetic Poetry
Eduardo Ledesma

Chapter 15

The Travelling Texts of Local Content: Following Content Creation, Communication and Dissemination via Internet Platforms in a Brazilian Favela
Tori Holmes

Afterword: A Bookless Literature?
Luis Martín-Estudillo and Stephanie A. Mueller

Contributors