Whose Voice is This? Iberian and Latin American Antigones
Ed. Jennifer Duprey (with the assistance of Ashley Puig-Herz)
Introduction: Antigone and the Poliethical Life
Jennifer Duprey
- Leopoldo Marechal's Antígona Vélez and the Symbolic Landscapes of Peronism
Brenda Werth - In the Wake of Tragedy: Citation, Gesture and Theatricality in Griselda Gambaro's Antígona furiosa
Patrick Dove - Demanding the Political: Widows or Ariel Dorfman's Antigones
Moira Fradinger - Archiving Antigone on the Puerto Rican Stage: Luis Rafael Sánchez's La pasión según Antígona Pérez
Katherine Ford - Broken Treasures, Invincible Solitude: Silence, Absence and Time in Antón Arrufat's Antígona
Ashley Puig-Herz - Social and Political Criticism: The Reformulation of the Myth of Antigone in Franklin Domínguez's Antígona-Humor
Martha Bátiz Zuk - María Zambrano: Appropriation and Transfiguration of Antigone
Juan Herrero-Senés - From the Tomb to the Prison Cell: José Martín Elizondo's Antígona entre muros
Verónica Azcue - Catalan Antigones: Between Religion and Politics
Jordi Malé - Antigone's Long Shadow: Myth, Politics, and Memory in Democratic Spain
Jordi Ibáñez-Fanés - Female Voice/Male Perspective: The Uneasy Task of Revisiting Cultural Image Repertoire in Antes que a Noite Venha
Inês Alves Mendes - Intertextual Uses of Antigone and Liberation Theology: The Passion of Ana in Juan Carlos Gené's Golpes a mi puerta
Becky Boling
Afterword
William Viestenz