Musicology

The musicology program reflects the diverse interests and methodological approaches of the faculty, including historical criticism and analysis, archival research, editing, source studies, performance issues, and gender studies. The major historical periods are well represented with particular strengths in the sixteenth and seventeenth centuries, late eighteenth century, late nineteenth, and early twentieth century. Overall, the faculty is unified by its interdisciplinary approach to the study of music in cultural and social contexts.

The musicology division supports all levels of study and degree programs offered at the School of Music. The bachelor of arts with academic emphasis allows students the opportunity to discover and delve into research areas not commonly available at the undergraduate level. The master's degree is tailored to a student's interests and career goals. The doctoral degree is oriented toward preparing students for scholarly research and teaching, aiming for breadth and depth in one specialized area.

Degrees

In addition to supporting all degree programs at the School of Music, our musicology program offers degrees in the following areas:

Musicology Faculty

Gabriela in Rome

Gabriela Currie

Professor, Musicology and Historical Ethnomusicology

Specialties

Global perspectives: historical ethnomusicology (pre- and early-modern); Eurasian music iconography and archaeology; Early ethnographic accounts of musical traditions in Eurasia and Africa; Intersections between musical and scientific thought in the early- and pre-modern eras; Music and culture of the Balkan Penninsula, Western and Central Asia

Scott Currie

Scott Currie

He/Him
Associate Professor Creative Studies & Media / Ethnomusicology

Specialties

Ethnomusicology, Carribean Music, Jazz, Reggae, Improvisation in Cross-Cultural Perspective

Kelley Harness, smiling

Kelley Harness

Professor, Musicology

Specialties

Music and theater in Italian convents; 17th-century Italian opera; Musical intermedi in 16th-century spoken plays; Handel operas; African and Latin American music; 16th- and 17th-century musical patronage; Women and political legitimacy in early 17th-century Florence; Political imagery in Renaissance arts

Karen Painter

Karen Painter

she/her
Professor, Musicology/Ethnomusicology

Specialties

music and politics, music criticism, Jewish studies, social history, German and Austrian history, implicit bias and racism, and Chinese music

Faculty in Other Departments

A pattern containing multiple University Block-Ms

Elliott Powell

He/him/his

Specialties

American popular music and culture; Comparative and relational race studies; Feminist and queer studies; Afro-Asian studies; Black cultural studies; Afro-diasporic popular music; Inter-/cross-cultural music making; Sound studies

Professor Emirata Gloria Goodwin Raheja, Department of Anthropology, University of Minnesota

Gloria Goodwin Raheja

Specialties

Poetics and politics of speech and song; Ethnographic history; Music and industrial capitalism in Appalachia; Cultural production in India (caste, gender and oral traditions); Colonialism, culture, and colonial knowledge; Colonial ethnography in nineteenth century India; American vernacular music; Landscape, history, memory

Michael Gallope

Michael Gallope

he / him
Affiliate Faculty

Specialties

Music and Sound Studies; Philosophy and Intellectual History; Music of the African Diaspora; Cultural History and Ethnography; Global Modernisms

Brown South Asian woman looks at the camera. Her arms are twisted around each other and raised so only half of her face is visible.

Ananya Chatterjea

she/hers

Specialties

Aesthetics; Movement; Women's Studies; Choreography and Performance; Performance in Global Contexts; Politics of Cultural Production; Theorizing Dancing Bodies; Choreography and Social Justice; Contemporary Dance of Asia and Africa

diyahstanding in front of a building in a high rise building

Rachmi Diyah Larasati

she/her/hers

Specialties

Performing Arts in Global Politics & Culture; Dancing Body, Tourism & Citizenship; Genocide Narrative/Massacre Cultural Reconstruction; Study of Archive, Empire and Aesthetics; Politics of Human Rights and Creative Arts; Study of transnational Politics, Alliances (Bandung Movement and Global South); Post Colonial Theories; Creative Projects in Post-Conflict/War Zones (Asia); Feminism in Muslim societies (Southeast Asia)