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The School of Music requires an entrance audition for the following programs:

  • BMus (performance, music education, music therapy) 
  • BA with applied emphasis
  • Music minor (applied)
  • Music PSEO

2021 Auditions & COVID-19

All auditions for the spring and fall 2021 terms will be conducted via video recording. Recorded auditions are to be submitted with the School of Music application by the application deadline.

The guidelines for recorded auditions are as follows:

  1. Recorded auditions must be submitted in the Portfolio section of the School of Music application by the application deadline. The application will accept links to video-sharing platforms YouTube and Vimeo,  as well as direct video file uploads up to 500 MB. Please ensure any video uploaded to YouTube or Vimeo is "unlisted" with the comment feature turned off.
  2. Follow the audition repertoire requirements for your instrument (below) and direct questions about the audition and repertoire requirements to the faculty of the instrument you wish to study.
  3. Please use professional quality recording equipment. Personal devices with high-quality sound and video capabilities are also acceptable, so long as the image is steady and the audio is clear without background interruptions.
  4. Recordings must be made within the past 12 months. No editing of the video is permitted. Each selection must be performed from beginning to end in one take and include both video and audio content. 

Audition repertoire requirements by instrument:

**Please direct questions about audition repertoire requirements to the faculty of your instrument area.**


Flute Audition Requirements

  • Two Contrasting Pieces of your choice (10 minutes of music in total)

  • All Major scales and Minor scales in all forms (natural, melodic and harmonic)


Audition Requirements

  1. Two contrasting etudes (one slow, one fast)
  2. One complete solo work from the standard repertoire (such as a work by Creston, Milhaud, Heiden, Desenclos, Eccles, Glazunov, Ibert, Maurice, Bozza, Tomasi, etc.)
Woodwinds - oboe, clarinet, bassoon

Audition Requirements

Prepare two selections or movements that contrast in tempo and style, one of which may be a representative etude. An accompanist is neither required nor provided.

Flutists and saxophonists, please see specific flute and saxophone repertoire requirements.

High Brass - horn, trumpet

Horn Audition Requirements

Candidates should prepare two contrasting selections from the standard repertoire. This may include solos, etudes and/or orchestral excerpts. Examples of standard repertoire are listed below. Audition material should represent the candidate’s best playing. The audition may also include major scales and sight-reading.

Etudes: Kopprasch, Kling, Gallay, Maxime-Alphonse

Solo Repertoire:

  • Mozart: Concertos No. 1-4
  • Franz Strauss: Nocturno; Concerto No. 1
  • Richard Strauss: Concerto No.1
  • Saint-Saens: Morceau de Concert
  • Gliere: Intermezzo; Nocturne, Romance
  • Glazunov: Reverie
  • Optional: Orchestral Excerpts such as:
  • Beethoven Symphony No. 3 Scherzo Trio (Horn 2)
  • Brahms Symphony No. 3, mvt. 3 (Horn 1)
  • Shostakovich Symphony 5, 1stmvt low tutti section (Horn 1)
  • Tchaikovsky Symphony No. 5, mvt 2, Andante Cantabile (Horn 1solo)

Trumpet Audition Requirements

  • 2 contrasting etudes from Charlier, Brandt, Arban Characteristic, or equivalent
  • 2 contrasting solos or movements from a standard concerto or sonata (e.g. Haydn, Hummel, Kennan, Balay, Ropartz, Hindemith, or equivalent)
  • Play 3 of 5 contrasting standard orchestral excerpts
    • Respighi: Pines of Rome (off stage)
    • Mussorgsky: Pictures at an Exhibition (opening Promenade)
    • Beethoven: Leonore No. 3 (off stage call)
    • Bizet: Carmen (Prelude)
    • Copland: Outdoor Overture (mm 16-34).
    • All excerpts can be found on
  • 2 major scales, 2 octaves with arpeggio, applicant’s choice
  • An accompanist is neither required nor provided.
Low Brass - trombone, euphonium, tuba

Audition Requirements

All audition repertoire must be confirmed via email by the appropriate low brass faculty member at least one month before the application deadline:

Trombone (Tenor and Bass): Tom Ashworth |  Euphonium: John Tranter | Tuba: Steven Campbell

Note: All prospective low brass students are encouraged to contact the appropriate faculty member to arrange a lesson in the months prior to the audition. There is no charge for the lesson. 

Audition repertoire must adhere to the following guidelines:

  1. For the following degrees: BMus music education, BMus music therapy, BA with applied emphasis, and music minor (applied)
    • Movements or sections from two significant solo works. Accompaniment neither provided nor required. Memorization is not required.
  2. For BMus performance
    • Movements or sections from two significant solo works. Accompaniment neither provided nor required.
    • Three to four standard orchestral excerpts
    • Piano accompaniment is not required
    • Memorization is not required

Guitar Audition Requirements

Prepare to perform two contrasting pieces or movements chosen from the following material, or similar works of comparable level:

  • Luis de Narvaez: Guardame Las Vacas
  • Luis Milan: Pavans, Fantasias
  • Gaspar Sanz: Pavanas, Canarios
  • J.S. Bach: Prelude BWV 999, Bourree from Lute Suite BWV 996
  • Fernando Sor: Twenty Studies (ed. Segovia) Nos. 1-9
  • Fancisco Tarrega: Lagrima; Estudio En Forme De Minuetto, Adelita, Maria
  • Leo Brouwer: etudes Simples Mos. 1-10
  • Heitor Villa-Lobos: Preludes

Prepare one diatonic major or minor scale.


Audition Requirements

Prepare to perform two contrasting pieces at least the level of:

  • Handel - Concerto in Bb, 1st Movement
  • Debussy - First Arabesque
  • One piece of comparable level plus an orchestral excerpt or cadenza
  • One piece of comparable level plus an etude such as Bochsa, Pozzoli or Lariviere.

At least one piece should be memorized.


Audition Requirements

Applicants should be prepared to play three compositions for organ of contrasting styles. At least one of these should be a work of J. S. Bach. It is recommended that the prepared compositions be of a level of difficulty commensurate with the applicant's own level of ability and experience. Memorization is recommended but not required. In addition, at the committee's discretion applicants may be asked to play several stanzas of a hymn in a style suitable for congregational singing, harmonize a given hymn tune, sight-read, and play scales and arpeggios at the piano. A repertoire list must be submitted to the committee at the time of the application. 


Audition Requirements

Applicants should be prepared to perform on snare drum (both rudimental and concert styles), mallet instruments (xylophone, marimba, or vibraphone) and timpani. Audition on any other instrument, such as drum set, hand drums or ethnic percussion is encouraged but not required. Applicants should bring an original score and one copy of every piece or etude they will be performing, as well as all necessary sticks and mallets. The School of Music will not provide any sticks/mallets during an audition. View the repertoire guidelines for a list of suggested audition materials.


Piano Audition Requirements

Prepare to perform repertoire that demonstrates your technical command and understanding of different classical musical styles. The repertoire must include:

  • A Bach sinfonia (three-part invention), prelude and fugue, or three or more movements from a suite or partita, one of which must be the courante or gigue
  • A first or last movement plus the slow movement from a sonata by Haydn, Mozart, or Beethoven
  • One work from the 19th or 20th century that is at least three minutes long

All works must be played from memory.


Strings audition requirements - violin, viola, cello, double bass

Prepare the first or third movement of a major concerto, and one piece in a contrasting style. Both pieces should be performed by memory. An accompanist is neither provided nor required.


Voice audition requirements

Prepare to sing two contrasting vocal selections from the classical repertoire from memory. Undergraduate applicants are strongly advised to sing only repertoire appropriate to their present vocal and musical abilities. One folk song (arranged for voice with piano accompaniment) or one Musical Theater selection, either contemporary or golden age, can be used to replace one classical selection. Pop, rock or Christian contemporary selections are not acceptable audition repertoire.

At the beginning of the video, each applicant must clearly state their name, voice type, degree objective, state of residence, titles of selections with composer’s names.

All vocal selections must be accompanied by a piano, chamber ensemble, or orchestra. Pre-recorded piano and CD are allowable.

Admission to the vocal degree programs is determined by demonstration of vocal competence, the number of open studio spaces available any given academic year, and target enrollments determined by the School of Music and College of Liberal Arts.